Academy Awards, USA 1972 Winner Oscar: Best Music, Original Song Isaac Hayes. Shaft was intentionally created to "appeal to a black urban audience, along with contiguous white youths. "[13], After production, in an effort to entice a large black audience to see the film, MGM hired UniWorld, a black advertising firm, who "popularized Shaft by using the rhetoric of black power. After Androzzi leaves, Shaft spots one of the men waiting for him in his office building. Industrial knowledge had it that what would be the first of the Clint Eastwood Dirty Harry productions was slated for a 1971 release. In the final Father Ted episode "Going to America", the song is played by an elated Ted, perking up a depressive priest in the process. The result of this inauthentic portrayal of blackness in early 1970s blaxploitation films like Shaft had an effect on black audiences viewing them. On The Fresh Prince of Bel-Air, Shaft is the idol of the fictional Will Smith, and several episodes[specify] make references to the film. In Good Eats, Alton Brown performs a parody of the film's theme song about puff pastry. The Professor says, "Shut your mouth! "[41], For Hayes' remarkable composition, he received a combination of public praise, notable critical reception, and awards. The Shaft soundtrack, a double album with mostly instrumentals, also hit #1 in America, topping the chart on November 20. The instinctive cultural polymath knew where a coup of casting was his by necessity to play. A 2003 remastered version of the Wattstax film reinstates Hayes' performance of "Theme from Shaft".[12]. "Theme from Shaft" went to number two on the Billboard Soul Singles chart (behind "Inner City Blues (Make Me Wanna Holler)" by Marvin Gaye) and to number one on the Billboard Hot 100[2] in the United States in November 1971. The following year, "Theme from Shaft" won the Academy Award for Best Original Song,[1] with Hayes becoming the first African American to win that honor â or any Academy Award in a non-acting category â as well as the first recipient of the award who both wrote and performed the winning song. In November 2017, the film was revealed to be entitled Shaft and was released on June 14, 2019.[47]. alone. [36], In 2004, the song was named the 38th greatest movie song of all time by the American Film Institute. Shaft (1971) Awards. Shaft pretends to be a bartender and calls the police to have the mobsters arrested. Audio commentary track for, Isaac Hayes winning an Oscar® for "Shaft", The Adventures of Jimmy Neutron: Boy Genius, List of Billboard Hot 100 number-one singles of 1971, "The Greatest Songs Ever! In other words, the perception of race depends on the viewer and thus differs between individuals. [1] The song had an enormous influence on the disco and soul music of the decade. 1 on the Billboard Hot 100 and stayed there a second week. As late as 1990, censors at the Fox Network thought it too risqué to be sung on The Simpsons (until it was pointed out that the song had been played on television before). The writers portrayed Shaft as a man who clearly had a good relationship with this neighborhood, yet rejected it once he became wealthy, moving to the predominantly white area of Greenwich Village. Instead of the collective nature of the Civil Rights Movement and Black Power movement in the 1960s, these films helped to usher in a decade of self-indulgence, material gain, and drug consumption. Traditional black thought in this era was that African Americans who had been prosperous financially should invest in and give back to the communities from which they came. Find album reviews, stream songs, credits and award information for Dando Shaft - Dando Shaft on AllMusic - 1971 - The major change on Dando Shaft's second album⦠Once bankrolled by Bumpy, Shaft was often seen giving money to others, which showed that he had substantial financial security. "Theme from Shaft", written and recorded by Isaac Hayes in 1971, is the soul and funk-styled theme song to the Metro-Goldwyn-Mayer film Shaft. "[24] Gene Siskel awarded two stars out of four and wrote that the film "offers little more than a rousing opening fight and a chance to see Roundtree glower while he models some fancy leather outfits. Bowman, Rob and Chuck D (2004). Shaft is walking across the street and a car almost hits him and he flips off the driver. The song was performed by Isaac Hayes. But how seriously would 'Five Easy Pieces' have been taken with a Black pianist as the weary protagonist? Released as a single, this version reached number five on the Billboard R&B chart, number 19 on the Easy Listening chart, and number 22 on the Hot 100. "[12], The film was one of only three profitable movies that year for MGM, grossing what Time magazine called an "astonishing" $13 million on a budget of $500,000. "[31], Rotten Tomatoes gives the film a score of 88% based on 40 reviews from critics, with an average rating of 7.47/10. In the Community episode "Anthropology 101", Pierce Hawthorne (Chevy Chase) refers to his living situation with Troy Barnes (Donald Glover) as like "Batman and Shaft".[49]. Even on the edited single version, the intro lasts for more than one and a half minutes before any vocals are heard. [38], The character John Shaft was considered a possible candidate for AFI's 100 Yearsâ¦100 Heroes and Villains. See. [11], The critical reception of Shaft was mixed. But the perception is black against white to the general public, with the possibility of an escalation into full-blown race war. It was produced at a cost of $1.2 million while earning $10.8 million in its first year of distribution,[12] $7 million in the U.S. Discover releases, reviews, credits, songs, and more about Isaac Hayes - Shaft at Discogs. "[11] The entire dynamic of the film, its later success, and the future of blaxploitation films were all greatly impacted by Parks' decision. The song was considered very racy for its time. Quite an achievement for 47 years ago! '"[10] They also promoted "'the behind-the-camera participation of blacks,' thereby appealing to blacks who would appreciate the film as a black production or could fantasize that blacks had somehow beat the Hollywood system and taken over Metro-Goldwyn Mayer studios. Released as a single on September 30, 1971, "Theme from Shaft" rocketed up the charts, slamming into #1 on the Hot 100 for the week of November 20, 1971. The earlier sequels were followed by a short-lived 1973â1974 television series titled Shaft on CBS. Comment below with facts and trivia about the song and we may include it in our song facts! In the Simpsons episode One Fish, Two Fish, Blowfish, Blue Fish, Bart and Lisa sing Isaac Hayes' theme song to the film at a karaoke bar.[48]. Shaft is a double album by Isaac Hayes, recorded for Stax Records ' Enterprise label as the soundtrack LP for Metro-Goldwyn-Mayer 's 1971 blaxploitation film Shaft. Gordon Park's directorial debut of a major entertainment production was set on a course for an appreciation of comparisons. Shaft and one of Ben's men go to the roof and prepare to enter the room where Marcy is being held captive. [8] Director Gordon Parks also had a hand in composing the theme, describing the character of John Shaft (the "black private dick/who's a sex machine/to all the chicks") to Hayes and explaining that the song had to familiarize the audience with him. "[13] From the very beginning of the film, Shaft's sexuality was highlighted as an important characteristic of his persona. One way that Shaft's blackness was showcased was through his attire. Shaft goes home and receives medical attention from a doctor working underground with him. Shaft was studio produced and had a pretty decent budget of just a bit over a million dollars. Theme from Shaft", List of songs written by Isaac Hayes and David Porter, High Noon (Do Not Forsake Me, Oh My Darlin'), Que Sera, Sera (Whatever Will Be, Will Be), https://en.wikipedia.org/w/index.php?title=Theme_from_Shaft&oldid=1006759408, Best Original Song Academy Award-winning songs, United States National Recording Registry recordings, Short description is different from Wikidata, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, The song has been played or parodied in television shows, including, Another Burger King commercial from 2002 promoted the Shaq Pack, where the lyrics alluded to, Since very early in the 1970s, the Swedish national television network, Also since the early 1970s, the Canadian Broadcasting Corporation's radio current affairs show, An instrumental version of the song served as the news theme for Memphis television station, In Australia, an edited instrumental version was used as the theme for "Seven's Big League". Ernest Tidyman wrote six Shaft novel sequels, including Goodbye, Mr Shaft and Shaft's Carnival of Killers. Hayes immediately defends himself by replying "I'm talking about Shaft", with the back-up vocalists replying, "We can dig it." On the TV show Seinfeld, Shaft is reported to be Elaine's favorite movie. 1 song on the Billboard Hot 100 pop singles chart to include a curse word. Some of the actions taken by Shaft highlighted the positive aspects of this movement, while others brought out some of its less progressive facets. Good Job keeping this video from being taken down. âTheme from Shaftâ was released September 30, 1971 and reached #1 on the Billboard Hot 100, as well as #2 on the Billboard Soul Singles chart. List of #1 Pop Singles for 1971. "For example, Variety reported UniWorld's advertisement description of the protagonist John Shaft as, 'A lone, black Superspadeâa man of flair and flamboyance who has fun at the expense of the (white) establishment. 1971 American film directed by Gordon Parks, Calendar in Shaft's office shows January 1971. The song went to #1 in America on November 6, 1971 and stayed for two weeks. However, it is probably apocryphal. [11] Critics, however, believed the plot was not altered enough to accommodate the change in racial dynamics. Since different representations of race appeal to different people, the film's white creators fabricated its representation of blackness in order to appeal to African American and white audiences alike. Nominee Oscar: Best Music, Original Dramatic Score Isaac Hayes: Golden Globes, USA 1972 Winner Golden Globe: Best Original Score - Motion Picture Isaac Hayes: Nominee I remembered a guitar line I had in a tune I'd never used, got it off the shelf and had our guitarist play it exactly the same, but with a wah-wah. It is an adaptation of Tidyman's novel of the same name and it's the first entry in the Shaft film series. [41] "The 45-single release of the record topped the US charts, hit number 4 in the UK and is still popular today, enjoying a new lease of life as a cellphone ring tone."[11]. The film deals with themes like the Black Power movement, race, masculinity, and sexuality. Shaft (1971) -- (Movie Clip) Open, Title Song airing: The totally excellent opening by director Gordon Parks featuring the title character (Richard Roundtree, flashing his private-eye badge) cruising Times Square, nearing its sleazier days, to Isaac Hayes' Academy Award-winning title song, from Shaft , 1971. "[30] Riley also harshly stated, "Mediocre is the only word to describe the work of Gordon Parks, the director of this nonsense, inept is the kindest thing to say about the performances of Richard Roundtree as John Shaft, a Black private eye on the prowl for kicks in the Big Apple underworld. [6] He dedicated his historic win to his grandmother, Rushia Wade, who joined him onstage as he accepted the award. Further, Shaft relies upon a group of militant black nationalists in helping him complete his mission to save Bumpy's daughter. Shaft played a crucial part in the development of African-American advancement in Hollywood. Police Lt. Vic Androzzi meets Shaft and unsuccessfully tries to get information from him on the two gangsters. The list on this page is for all #1 hit Pop singles for 1971 using proprietary methods. In one episode Will denies that Shaft is a fictional character and claims he is real, parodying how young children deny that the cartoon characters they love are not real. Although his smooth, classy look evoked a greater interest from viewers, it in no way represented fashion typical of the black community in that era. [34][35], In 2003, Shaft was chosen as one of The 1000 Best Movies Ever Made by The New York Times. Shaft (1971) Trivia. This film was created less to impact black consciousness and more to simply to show a "'fun film,' which people could attend on Saturday night and see a black guy winning. Hayes, who also had no acting experience, never got the chance to audition, but kept his end of the deal anyway. "Although Shaft lacked power in the racial sphere, by virtue of being a heterosexual male in a patriarchal system, he still maintains a semblance of power in relation to women. "[41] For example, from the 'Theme from Shaft,' "The instrumental section, played by the Bar Kays and Movement, deploys pulsating bass, stuttering wah-wah guitar, Hayes's own distinctive piano playing, a descending four-note horn motif, ascending flute runs and the now famous Pearl and Dean-style blasts of brass and strings. Hayes' utterance of the word "damn" made this the first No. The lyrics describe John Shaft's coolness, courage and sex appeal and Hayes' lead vocals are punctuated by a trio of female backup singers. Shaft's plan resembles a military commando-style operation. Shaft greatly impacted future blaxploitation films which "crudely tried to emulate the success of Shaft and Sweetback, repeated, filled in, or exaggerated the ingredients of the Blaxploitation formula, which usually consisted of a pimp, gangster, or their baleful female counterparts, violently acting out a revenge or retribution motif against corrupt whites in the romanticized confines of the ghetto or inner city.
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